Although Konami has taken a turn for the worse in recent years, at least as far as the gaming landscape is concerned, we will always have those old mainstay series to fondly look back on. Excellent hits like the Metal Gear series, with its fun arcadey stealth and bonkers story, Silent Hill with it’s mastery of horror and subtlety before the US studios got their hands on it, and Castlevania, the all out monster mash throwing the demon hordes of the night at you in consistently high quality titles. the only thing it couldn’t survive was the third dimension. Today I’d like to take another look at the forgotten children of the Castlevania series, the Gameboy titles.
Having grown up in a Nintendo household, I rarely saw any Sony material. I remember school yard squabbles about N64 vs PlayStation, with neither side really knowing anything about the other. Back then, my only encounters with the PlayStation came from visiting my cousins, or spending time with a neighbor, so I only had a glancing knowledge of the system’s library. Some characters stood out in the commercials and magazines I saw at the time, like Crash Bandicoot and Spyro, but besides those big names and some more obscure titles, it was undiscovered territory for me.
The late nineties saw the coming of a particular brand of hyper stylized action. Directors like the Wachowskis and John Woo made films that presented sweeping, heavily choreographed, action set pieces that experimented with cinematography in new and interesting ways. Some of these movies, like The Matrix, became cultural touchstones, whose effects are still felt to this day, while others, like Face/Off, were too ridiculous to be ignored.
Gaming was also advancing at this time and the next generation of consoles was on the way. Sony’s Playstation 2, Microsoft’s XBox, and Nintendo’s Gamecube were all capable of cutting edge graphics, comparable to what PCs could do at the time. Many projects originally planned for the PS1 and N64 were moved to the new hardware, and a small Finnish company, Remedy Entertainment, reconfigured their upcoming third person shooter to take full advantage of the new hardware.
This time we take a look at a third party light gun for the 16-bit era, the Konami Justifier. In the past, most peripherals for the 8-bit systems had little in the way of competition. Ideas like the Power Glove and LJN’s Rollin’ Rocker were major flops in their own right, so no one wanted to copy them, while others like the NES Power Pad had potential that was not fully realized until the home version of Dance Dance Revolution came around. On the whole though, most systems that had a light gun had just one designed in house. The NES had the Zapper, the Sega Master System had the Phaser, and later the Saturn had the Stunner. But when the Justifier came around things got a little complicated.
Do your ever have those moments where you see something and it doesn’t leave much of an impact, but then years after you’ve forgotten about it, you see it again and it hits a dormant memory? This was the case for me with a particular NES game.
When I was a small child we would visit my grandmother and at her home was my uncle’s collection of NES games. Even though I was terrible at playing them, I still loved trying them out. Now, at the time I could barely read, and more often than not my brother would be the one actually playing through the games, but they still left impressions on me through the covers, the manuals, or the games themselves.
Although there were the classics, there were some games that were just to complex for a little kid to understand. One such game had a grey label depicting a man in a suit with a machine gun. I found the game hard to follow and I had no idea what I was supposed to do. All I could get from it was that you were exploring a city and there was a lot of reading involved.
I now present a project that I’ve been working on with two good friends, a new gaming podcast: Been There, Played That.
Brett Beasely, Ben Miller, and I discuss games we’ve loved and enjoyed, the missteps, the happy and sad memories, and our thoughts on the events and trends in the gaming industry. We’re all new to this medium and hope that you will follow us as we express our thoughts and explore ideas about medium we love so much.
In this episode we discuss the recently released Sonic Mania, what it could mean for the franchise as a whole, and we chat about how our personal relationships with the series, the high points and the low points.
There is a growing crowd of super heroes in comics, video games, and movies. Between the classic DC and Marvel heroes and the heroes of independent press comics like Dark Horse and Image comics, there’s a hero, anti-hero, or villain for everyone. Personally, I’ve never had any one favorite hero, but I’d always been partial to Spider-Man and Batman. However, a new hero fell into my sights after a trip to the library and the discovery of a video game that never really existed.